Note: When I was a kid, a beautiful letterset copy of Ithaka floated around our home. When I went off to boarding school, the poem found a spot amongst a handful of vintage posters on my dorm room wall. I came to honor the essence of the text, the beauty in cherishing the journey for all it's worth, not just the goal of reaching a given destination. The poem reads below, in translation.
§
As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.
Vicariously escaping to Athens with Tod Papageorge's photography. Shot over the summers of 1983-84, Papageorge's exhibit, On The Acropolis, was on view in early 2020 at Danziger Gallery. I absolutely adore the work, the era of travel and traveler it depicts, and the carefree youthfulness set against an ancient wonder. Truthfully, it makes me pine for the analog days before smart phones. In addition to his accomplishments as an artist, Papageorge served as Director of the Yale MFA photography program from 1979 to 2013.
(Images courtesy of Danziger Gallery)
One unseasonably warm day in early March I hopped on the subway with Beatrix, took it a couple stops to East Broadway, and visited Hilary Pecis' exhibit of paintings Come Along With Me, which was on view at Rachel Uffner at the time. I describe the mundane details of getting there as today it seems as if it were a lifetime ago. This was the last gallery show I visited before quarantine... and what a fantastic one it was! The entire first floor was devoted to the California native's poppy-hued canvases and sun-lit interiors – evoking the charm and leisure of aimless mornings at home and spontaneous summer get-togethers. The overpowering Lilies (2020) held court on the far back wall, just as you think to yourself it couldn't get any better. Her fresh-cut flowers, quaint decor and books scattered just-so had me longing for warmer days ahead. Pecis' large-scale canvases are truly spectacular – the sort of show we could easily live with. I'm grateful for the artwork Pecis has given us so far in her career, and even more grateful I made the trip before NYC and the art world went on pause.
(Images courtesy of Rachel Uffner)
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